Category: Tips and Online finds

Bebop Guitar: Practice the most famous Charlie Parker’s Tunes

I bumped on this fantastic video by an exceptionally skilled fellow guitar player who stringed together some of the most famous Charlie Parker’s heads to create a montage for (I guess) practice purpose.

I though this was a great idea and you can find it right below.

I will definitely use this video for my practice routine and to keep these tunes up to scratch…this sort of approach kills two birds with one stone, as you add material to your repertoire, and clean up your technique. Thank you to ‘kevinthebeagle’  for posting this video on his channel.

You can find most of these melodies in the following books, which I own and highly recommend:

Charlie Parker Omnibook: For C Instruments (Treble Clef)

 

Charlie Parker for Guitar: Note-For-Note Transcriptions and Detailed Performance Notes for 18 Bebop Classics

How to setup your electric guitar

Yesterday during a gig I dropped my beloved Fender Stratocaster ‘head on’, and I could tell right away that the neck had moved and the whole setup had gone out of the window. Rather than taking the guitar to be setup I did a bit of research online and decided to give it a go myself. I had done this before, but never did the whole process from start to finish. I must say the following video shows every step in such detail, you cannot get it wrong!

Thanks to Pbsguitar for porting this great video. My Strat is back in great shape.

A list of the most popular jazz standards

This post if for the jazz guys, and possibly those that want to venture into jazz territory. I talked about repertoire yesterday, and today I was asked by a friend to put together a list of the most popular jazz standards that might be called at a jam session…this is what I came up with, and I thought of sharing it with you. Comes without saying that this list is by all means incomplete and dictated by my experience with jazz jams.  Feel free to add your suggestion in the comments section!

A Nightingale Sang In Berkeley Sqare

Agua De Beber

Ain’t Misbehavin’

All Blues

All of Me

All of You

All Or Nothing At All

All the Things You Are

Alone Together

Angel Eyes

Autumn Leaves

Beautiful Love

Billie’s Bounce

Blue Bossa

Blue Monk

Blue Moon

Body and Soul

But Not For Me

Bye Bye Blackbird

C Jam Blues

Caravan

Chelsea Bridge

Cherokee

Come Rain Or Come Shine

Cry Me a River

Darn That Dream

Days of Wine and Roses

Desafinado

Do Nothin’ Till You Hear From Me

Don’t Get Around Much Anymore

Donna Lee

Doxy

Easy to Love

Embraceable You

Estate

Everything Happens to Me

Everytime We Say Goodbye

Fly Me To The Moon

Foggy Day

Four

Gee Baby Ain’t I Good to You

Gentle Rain

Georgia On My Mind

Giant Steps

Girl From Ipanema

God Bless the Child

Good Bait

Green Dolphin Street

Have You Met Miss Jones

Here’s That Rainy Day

How Deep is the Ocean

How High the Moon

How Insensitive

How Long Has This Been Going On

I Can’t Get Started

I Could Write a Book

I Didn’t Know What Time It Was

I Get a Kick Out of You

I Got Rhythm/Rhythm Changes

I Hear a Rhapsody

I Loves You Porgy

I Remember You

I Should Care

I Thought About You

I’ll Remember April

I’ve Got You Under My Skin

If I Should Lose You

If I Were a Bell

Impressions

In A Sentimental Mood

Invitation

Isn’t It Romantic

It Ain’t Necessarily So

It Could Happen to You

It Don’t Mean A Thing

It Had to Be You

Jitterbug Waltz

Joy Spring

Just Friends

Just One of Those Things

Killer Joe

Lady Is A Tramp

Laura

Lazy bird

Like Someone In Love

Love For Sale

Lover Man

Lullaby Of Birdland

Lush Life

Mack the Knife

Maiden Voyage

Mercy, Mercy, Mercy

Misty

Moanin’

Mr. P.C.

My Favorite Things

My Foolish Heart

My Funny Valentine

My Little Suede Shoes

My One and Only Love

My Romance

Nardis

Nature Boy

Night and Day

Night In Tunisia

Now’s The Time

Old Devil Moon

Old Folks

Oleo

On A Slow Boat To China

On The Sunny Side Of The Street

One Note Samba

Over The Rainbow

Polka Dots and Moonbeams

Prelude To A Kiss

Quiet Nights of Quiet Stars (Corcovado)

Round Midnight

Satin Doll

Scrapple From The Apple

Smile

Smoke Gets In Your Eyes

So What

Softly as In A Morning Sunrise

Solar

Someday My Prince Will Come

Someone To Watch Over Me

Somewhere Over the Rainbow

Song For My Father

Sonnymoon For Two

Speak Low

St. Thomas

Stella By Starlight

Stormy Weather

Straight No Chaser

Sugar

Summertime

Sunny

Sweet Georgia Brown

Take Five

Take the “A” Train

Tea For Two

The Man I Love

The Nearness of You

The Night Has 1000 Eyes

The Shadow Of Your Smile

The Very Thought of You

The Way You Look Tonight

There is No Greater Love

There Will Never Be Another You

They Can’t Take That Away From Me

Things Ain’t What They Used to Be

This Masquerade

Time After Time

Tune Up

Watermelon Man

Wave

Well You Needn’t

What is This Thing Called Love

When I Fall In Love

When Sunny Gets Blue

Work Song

Yesterdays

You and the Night and the Music

You Don’t Know What Love Is

You’d Be So Nice To Come Home To

A tool to improve your improvising skills.

It’s not a secret that one of my all time favourite guitar instructional books is The Advancing Guitarist The Advancing Guitarist   by Mick Goodrich   Review by Mick Goodrich. One the exercises explained in this great book is about creating a random sequence of chords by writing every type of chord (major, minor, all the 7th chords and, if you feel more adventurous, chords with extensions and alterations) on small pieces of paper and extracting them at random. This will not only improve your sight reading in terms of chords and chord progressions, but, if you record these sequences to create a backing track, it will greatly improve your improvisation skills.

This is where http://www.thestringery.com/featured/random-chords-generator/ comes into play.

On this site you can easily generate random sequences to improve your chord recognition knowledge and improvisational skill. The default number of chords is 16 but you can easily change that number. I advice to play along to a drum beat or a metronome, so that you are more focused, starting with a chord per bar.

Also you could leave the recording backing track for a few days, so you completely forget what you recorded, and use it to practice your aural recognition skills (ear training). Try and see if you can recognise a major chord from a minor, or what extensions are contained in a chord.

I am also sure you will find some ‘snippets’ that will inspire you…maybe the beginning of your next masterpiece.