I have seen too many times young or inexperienced guitarists having to go back to basics because of poor left hand posture. In this video I’ll give you some tips on how to better your left hand posture following a few simple concepts:
2. Keep your thumb opposite your fingers on the other side of the neck
1. keep your knuckles parallel to the fret board
3. reach out for frets bending each individual finger
4. ‘scroll’ down the neck in a relaxed way like it was a rail, in a relaxed way
I think the most important thing is that you have to be very relaxed in doing all of the above.
THIS IS THE 2021 UPDATED VERISION OF THE VIDEO…the original from 2008 is below
The typical scenario at a pop/rock recording session is trying to come up with some interesting guitar parts that fit the song, but fulfill your creative side as well. The three parts you are usually asked to record are riffs/chords, solos and what I call ‘noises’. These are usually based on a sound or color, to make a track more interesting, or just fill gaps that seem to sound a bit empty. I am paid to record noise after all the time I have spent practicing those scales! Well…it is not always that simple to come up with a good idea for a great ‘noise’ sound so I will give you some tips to make it easier on yourself…
In general it’s all about being creative with the pedals/gear you have in your arsenal. I try to emulate a synth pad most of the times if you have to create a warm background (think: strings). A good way is to feed your guitar signal into a volume pedal, a chorus and a delay with a decently long delay time (800ms?), with not too much feedback and 50% mix. Play some clusters of notes while you work that volume pedal for a nice and slow volume swell. If you listen to Mike Landau or Allan Holdsworth I am sure you know what I am talking about…if not, go and check them out immediately if not sooner!!!
Another idea is going vintage: get out your Leslie simulator pedal of choice and go for it! Usually very distorted short arpeggios with quite a bit of feedback from the amp work well, I find cheap fuzz pedals great for this task…
Basically everything that takes the attack off your guitar will work well: think reverse delay, swell, natural feedback from the amp. Another way to approach it is to water it all down. A good example of this is to run your signal into a short delay (under 100ms, with a lot of feedback and mix up to 100%) then into a nice and large reverb. Move the Delay Time up and down while you play for a very wacky effect!
There is only one mega rule: don’t be afraid to break the rules…put distortion after reverb, delay or whatever you have never tried before…you might have some nice surprises!
If you are playing through an amp with a spring reverb and running short of ideas…just kick the amp! That’s what I call a noise!
A long-ish lesson about power chords. From The basic 1-5 that we should all know, to more contemporary and fuller sounding shapes, as used by contemporary prog rock bands, and more! Just watch, learn, go out and play.
This is a scale I know as ‘Jog scale’. I am sure even though you might not know it by name, you have heard its sound before, as it is featured in a lot of Beatles tunes, and also a favorite of guitarist Eric Johnson. It has an Indian flavor to my ears…just watch the video and you’ll understand what I mean. In the PDF file below you’ll find the 5 inversions/modes and relative fingerings in the key of G. It sounds best over G7 (or G7sus4), Fmaj7#11, and B7#9, but feel free to experiment…
