In this video lesson I show some ideas for funk comping. The video is pretty self explanatory, so I’ll just sommarize by saying
1. try not to use massive chords with 6 notes, less is more.
2. break up bigger chords in smaller parts, double stops are great.
3. leave space for snare and think of your part as a piece of a bigger collage
4. look for 4ths inside chords and scales, those work great.
more tips to come in part 2…coming soon! Stay tuned.
We have seen in this post https://www.giannichiarello.com/intervals-explained/ what intervals are in theory and how the simplest and safest way to identify an interval is by calculating the number of semitones between the two notes. Again, this is the table for you to ‘do the math’:
|
N.of halfsteps |
1 |
2 |
3 |
4 |
5 |
6 |
6 also |
7 |
8 |
8 also |
9 |
10 |
10 also |
11 |
12 |
|
Interval |
m2 |
M2 |
m3 |
M3 |
P4 |
4aug |
5dim |
P5 |
5aug |
m6 |
M6 |
6aug |
m7 |
M7 |
P8 |
|
Example |
C Db |
C D |
C Eb |
C E |
C F |
C F# |
C Gb |
C G |
C G# |
C Ab |
C A |
C A# |
C Bb |
C B |
C2 C3 |
where m=minor, M=major, P=perfect, dim=diminished, aug=augmented.
If you look closely, you will notice that the notes that are contained in the C major scale (being the example from the note C) are all a major or a perfect intervals.
C-D Major 2nd
C-E Major 3rd
C-F Perfect 4th
C-G Prefect 5th
C-A Major 6th
C-B Major 7th
This stands true for all the major scales in every key. So another quick way to find at what interval distance two notes are, is to calculate from the major scale.
To calculate intervals on guitar is not difficult at all as everything translate in exactly the same way. If I know the notes on the guitar neck this is all very simple as all I need to do is make the calculation like I did above. (Eg: if I am playing a C on the 3rd fret, 5th string and an F# 4th fret 4th string , that is a augmented 4th, just like above).
After a while you will see a some recurring ‘shapes’ and you will learn to quickly recognise an interval by the shape it draws on the fretboard, just like you do with chords: the following is an attempt to summarize all these shapes. Maybe not complete, but I hope it will help.
Click on the images below to download the interval charts PDF files:
Both these resources are from ‘The Guitar Kit Pro’, where the files will be higher resolution and unbranded: read all about it here: ‘The Guitar Kit Pro’ . Keep supporting this site by purchasing the products on the Shop page, thanks!
From time to time I bump into something new in terms of gear and I want to share it on the site. TC Electronic has been producing some new interesting things recently, one of these is the Toneprint pedals. Everybody seems to want the classic stuff nowadays, trying to copy vintage boxes or reissuing yet another limited version of the Tube Screamer. Here TC Electronic goes in that direction, but adding a feature that I had only seen in much bigger units, definitely not is this size stompboxes, you can plug the pedal through a usb cable into your computer and download different patches made by famous artists.
Check out the video:
This post if for the jazz guys, and possibly those that want to venture into jazz territory. I talked about repertoire yesterday, and today I was asked by a friend to put together a list of the most popular jazz standards that might be called at a jam session…this is what I came up with, and I thought of sharing it with you. Comes without saying that this list is by all means incomplete and dictated by my experience with jazz jams. Feel free to add your suggestion in the comments section!
A Nightingale Sang In Berkeley Sqare
Agua De Beber
Ain’t Misbehavin’
All Blues
All of Me
All of You
All Or Nothing At All
All the Things You Are
Alone Together
Angel Eyes
Autumn Leaves
Beautiful Love
Billie’s Bounce
Blue Bossa
Blue Monk
Blue Moon
Body and Soul
But Not For Me
Bye Bye Blackbird
C Jam Blues
Caravan
Chelsea Bridge
Cherokee
Come Rain Or Come Shine
Cry Me a River
Darn That Dream
Days of Wine and Roses
Desafinado
Do Nothin’ Till You Hear From Me
Don’t Get Around Much Anymore
Donna Lee
Doxy
Easy to Love
Embraceable You
Estate
Everything Happens to Me
Everytime We Say Goodbye
Fly Me To The Moon
Foggy Day
Four
Gee Baby Ain’t I Good to You
Gentle Rain
Georgia On My Mind
Giant Steps
Girl From Ipanema
God Bless the Child
Good Bait
Green Dolphin Street
Have You Met Miss Jones
Here’s That Rainy Day
How Deep is the Ocean
How High the Moon
How Insensitive
How Long Has This Been Going On
I Can’t Get Started
I Could Write a Book
I Didn’t Know What Time It Was
I Get a Kick Out of You
I Got Rhythm/Rhythm Changes
I Hear a Rhapsody
I Loves You Porgy
I Remember You
I Should Care
I Thought About You
I’ll Remember April
I’ve Got You Under My Skin
If I Should Lose You
If I Were a Bell
Impressions
In A Sentimental Mood
Invitation
Isn’t It Romantic
It Ain’t Necessarily So
It Could Happen to You
It Don’t Mean A Thing
It Had to Be You
Jitterbug Waltz
Joy Spring
Just Friends
Just One of Those Things
Killer Joe
Lady Is A Tramp
Laura
Lazy bird
Like Someone In Love
Love For Sale
Lover Man
Lullaby Of Birdland
Lush Life
Mack the Knife
Maiden Voyage
Mercy, Mercy, Mercy
Misty
Moanin’
Mr. P.C.
My Favorite Things
My Foolish Heart
My Funny Valentine
My Little Suede Shoes
My One and Only Love
My Romance
Nardis
Nature Boy
Night and Day
Night In Tunisia
Now’s The Time
Old Devil Moon
Old Folks
Oleo
On A Slow Boat To China
On The Sunny Side Of The Street
One Note Samba
Over The Rainbow
Polka Dots and Moonbeams
Prelude To A Kiss
Quiet Nights of Quiet Stars (Corcovado)
Round Midnight
Satin Doll
Scrapple From The Apple
Smile
Smoke Gets In Your Eyes
So What
Softly as In A Morning Sunrise
Solar
Someday My Prince Will Come
Someone To Watch Over Me
Somewhere Over the Rainbow
Song For My Father
Sonnymoon For Two
Speak Low
St. Thomas
Stella By Starlight
Stormy Weather
Straight No Chaser
Sugar
Summertime
Sunny
Sweet Georgia Brown
Take Five
Take the “A” Train
Tea For Two
The Man I Love
The Nearness of You
The Night Has 1000 Eyes
The Shadow Of Your Smile
The Very Thought of You
The Way You Look Tonight
There is No Greater Love
There Will Never Be Another You
They Can’t Take That Away From Me
Things Ain’t What They Used to Be
This Masquerade
Time After Time
Tune Up
Watermelon Man
Wave
Well You Needn’t
What is This Thing Called Love
When I Fall In Love
When Sunny Gets Blue
Work Song
Yesterdays
You and the Night and the Music
You Don’t Know What Love Is
You’d Be So Nice To Come Home To
In this short post I want to spend a few words on the importance of knowing tunes, either written by other musicians or by yourself. ‘Repertoire’ is often a fancy word we use to identify ‘all the tunes we know’.
In my experience as teacher I have found to be a divide between the guitarist that is obsessed by theory and scales and that who is just interested in learning songs with no real interest in knowing how this songs are created. I always wondered why the second category were happier about their playing…
We spend as musicians most of our time learning theory, techniques and we often wonder how these fit in with ‘real life’….a lot of times we forget that tunes and musical pieces/compositions should be the goal of what we do. All these exercises and music theory studies should be a way to better perform and understand the tunes we know and write.
I always suggest to all my students to always keep an updated list of all the tunes they know (or they can busk), and a folder with all their original material, from the completed tunes to the ‘work in progress’ type material.
Keep writing and learning new tunes: this will give you a sense of purpose in your studies and also it will be a test for all the techniques and theory you have learnt…
Good luck!