Month: August 2023

Simplify Your Jazz and Funk Playing with the Power of Dorian Mode

Are you an aspiring jazz or funk guitarist looking to level up your playing? If so, I’ve got a simple yet powerful trick that will revolutionize the way you approach chords and chord sequences. Say hello to the magic of Dorian mode! In this blog post, we’ll delve into this concept and show you how to apply it to elevate your jazz and funk guitar game.

What is Dorian Mode and Why Does it Matter?

The Dorian mode is one of the seven modes derived from the major scale. It is characterized by a minor scale with a natural sixth. When applied to jazz and funk playing, using the Dorian mode of each key can make your improvisations and chord progressions smoother and more cohesive.

Let’s Break it Down: The Dorian Mode in Action

To better illustrate the concept, let’s consider the harmonized scale in the key of C major. The chords are as follows: C major 7, D minor 7, E minor 7, F major 7, G dominant 7, A minor 7, and B half-diminished.

Now, here comes the magic. Instead of dwelling on complex theories, concentrate on playing the Dorian phrase over each chord. For instance, when you encounter the D minor 7 chord, think D Dorian. When you encounter the G dominant 7 chord, think D Dorian. It’s as simple as that!

Infinite Improvisation: Connecting the Dots

To truly internalize this technique, practice what I like to call “infinite improvisation.” This exercise involves connecting short musical ideas or patterns together to create a seamless and continuous flow of music. Think of it as your canvas for spontaneous expression.

Start with small phrases, like a classic Dorian lick, and build upon them. Gradually add variations and combine different patterns to explore the full potential of the Dorian mode. Remember, this exercise is not about being overly creative; it’s about building your knowledge of the fretboard in the jazz and funk style.

Applying the Dorian Trick to Any Chord Progression

Once you’ve mastered the infinite improvisation exercise, you’ll be amazed at how effortlessly you can apply the Dorian trick to any chord progression. Whether it’s a classic jazz 1-6-2-5 progression or a funky 1-4-5 pattern, the Dorian mode will guide your way.

For instance, if you encounter a Bb7 chord (the 5th chord) in the key of C major, think F Dorian. If you find yourself playing an A minor chord (the 6th chord), think A Dorian. The possibilities are endless, and your guitar playing will soar to new heights.

Closing Thoughts

In conclusion, the Dorian mode is a valuable tool for jazz and funk guitarists seeking to simplify their playing and enhance their improvisational skills. By concentrating on the Dorian phrase of each key and mastering the infinite improvisation exercise, you’ll gain a deep understanding of the fretboard and unlock a world of musical possibilities.

So, start experimenting with the Dorian mode in your playing today. As you become more comfortable with it, you’ll find yourself effortlessly navigating complex chord progressions and unleashing your inner jazz and funk player. Happy playing!

“Mastering Jazz Soloing: Breaking Down ‘Bright Size Life'”

In this blog post, we’ll dive into the art of soloing over jazz standards, focusing on the classic tune “Bright Size Life.” Known for its ECM-era 70s jazz style with suspended sounds and modulations, this piece offers an excellent opportunity to explore creative soloing techniques. Join us as we break down the chords, discuss scale choices, and learn to connect them seamlessly.

  1. Understanding the Key and Chords:
    “Bright Size Life” is set in the key of D major. The chord progression begins with the IV chord (Gmaj7), moves to the bVI major 7 (Bb Lydian), and then resolves to the V chord (A7) and back to the I (Dmaj7). The bridge section introduces a series of constant structure chords and a V-I progression.
  2. Scale Choices for Soloing:
    To effectively solo over these chords, it’s essential to select appropriate scales. I recommend using D major (Ionian) over Dmaj7, Bb Lydian (flat six major seven) over Bbmaj7#11, and D Mixolydian over D7. These scales complement the chord tones and provide a solid foundation for improvisation.
  3. Expanding Your Vocabulary:
    While understanding scales is crucial, developing a unique and expressive jazz vocabulary is equally important. I demonstrate how to connect the chords by using phrases and licks within a modern jazz style. I learning from other jazz players and incorporating these ideas into your playing.
  4. Transposing to Different Keys:
    To enhance versatility and adaptability, it’s advisable to practice the tune in various keys. The blog post provides an example of transposing “Bright Size Life” to the key of G major, encouraging readers to explore different tonalities and apply their knowledge across the fretboard.
  5. Playing with Singers:
    For musicians interested in collaborating with vocalists, being adept at transposing is invaluable. Singers often have different ranges, and altering the key can accommodate their vocal abilities. Developing this skill broadens your opportunities as a jazz musician and enhances your overall musicality.

Conclusion:
“Bright Size Life” offers an exciting canvas for jazz musicians to experiment with improvisation and soloing. By understanding the chord progressions, selecting appropriate scales, and expanding your jazz vocabulary, you can create captivating solos that complement this classic jazz standard. Moreover, mastering transposition adds another layer of skill, allowing you to collaborate seamlessly with vocalists and fellow jazz musicians. So, take your time to explore the nuances of “Bright Size Life” and embrace the journey of becoming a versatile and expressive jazz soloist. Happy playing!

Yamaha A3M: Old is gold! Is the Revamped Version a Worthy Successor?

Hey everyone, today I want to share my experience comparing two incredible acoustic guitars from Yamaha’s A3M series. Having owned the old version for over a decade, it has been my loyal workhorse, perfect for gigs and long hours of play. But curiosity got the better of me, and I couldn’t resist trying out the revamped version to see if it could live up to its predecessor’s glory.

Let’s start with the old version. What drew me to it initially was its alluring vintage look, reminiscent of classic guitars. What set it apart was the thin electric guitar neck, which made playing for hours a breeze, especially during those jam-packed gig days. The preamp setup was a winner for me, boasting three types of microphones and a tuner. This combination resulted in a realistic and rich sound that truly stood out among other acoustic guitars.

The revamped version, on the other hand, featured a slightly different design both internally and externally. The bracing changes gave it a fatter sound, which was appealing in its own way. However, there were some trade-offs. The tuner was missing, and the preamp turned out to be noisier, with a peculiar honky resonance that was hard to ignore. Visually, the revamp went for a more modern look, akin to guitars from brands like Taylor.

Both guitars come with padded gig bags, making them ideal companions for musicians on the go. They are both affordably priced, being manufactured in China, but there is also a pricier Japanese version available.

As a musician, my focus has always been on live performances, although I do some recording too. For those who prioritize recording, the revamped version might be the better choice due to its improved acoustics. But for live players like me, who rely on plugging straight into the PA or front-of-house system, the old version truly shines.

Ultimately, choosing between the two depends on your musical preferences and needs. The old version, with its vintage charm and reliable preamp setup, works like a charm for live gigs and performances. And as it has been around for quite a while, you might even find it at a more budget-friendly price nowadays.

On the other hand, the revamped version has its appeal with the fatter sound and sleek design. If recording is your primary focus, it might be worth giving it a shot.

To sum up, both guitars have their merits, and it’s challenging to declare one as outright better than the other. They each cater to different musical requirements, so the choice ultimately falls upon the type of musician you are. I hope my experience with these Yamaha A3M guitars helps you in making an informed decision.