Author: Gianni C.

Jog Scale

This is a scale I know as ‘Jog scale’. I am sure even though you might not know it by name, you have heard its sound before, as it is featured in a lot of Beatles tunes, and also a favorite of guitarist Eric Johnson. It has an Indian flavor to my ears…just watch the video and you’ll understand what I mean. In the PDF file below you’ll find the 5 inversions/modes and relative fingerings in the key of G. It sounds best over G7 (or G7sus4), Fmaj7#11, and B7#9, but feel free to experiment…

Download: Jog Scale PDF

Good Luck.

Harmonics on guitar

In this video I’ll show you how to produce harmonics on guitar and where to find them along the fretboard. A lot of young players tend to think that harmonics are just randomly spread all over the guitar. They actually follow a very precise series on every string. Just watch the video and check out the following PDF file and you’ll see what I mean.

Printable PDF: Harmonics

Playing with a Slide – Tips

Slide: Hints and Tips

Don’t we all love playing slide? Here some tips on phrasing and a couple of ideas on open tunings widely used to play in this style.

The tuning I use in the second part of the video is what is know as G open tuning, so from the 6th string (low E) to the 1st (top E):

D G D G B D

6 5 4  3 2 1

Open Strings Voicings

I am quite into open strings voicings as I think they are one of the few things you can only play on guitar and no other instrument, and I would compare the sound to that of a piano when the sustain pedal is used: the sound is fuller, sustained, rich in harmonics. in this video I will show you how to find more interesting sounds from the most basic chords, you’ll see it is very easy. I am sure you’ll benefit from this whether you are a songwriter, a jazz guy or into speed metal. In the PDF file you’ll find some of the chords I show you in the video.

Printable PDF: Open String Voicings

On how to find new and original material

   A lot of musicians seem to have to wait for the magic inspirational moment  to write new material…but as we know, that does not always come very often…and usually it always comes at the wrong time, when you have noting to write/record your new ideas on. Even though there might be moment of your life where you are more ‘in the zone’, I think sometimes you should make things happen, rather than wait for things to happen. This is actually a lot simpler than you think…this is how to do it in 5 easy steps. 

step1. Get in a room with your instrument of choice. Close the door behind you.

step2. Clear your mind

step3. Press record on your recording device of choice

step4. Play for at least 2 hours (maybe) taking a couple of very short breaks, focusing on breaking away from your clichés.

step5. Repeat steps 1to4 as many time as needed to achieve desired results

   Listen to all you have recorded and try to isolate good ideas or themes…I am sure after a few minutes you’ll get to play some good ideas and you will automatically start trying to manipulate them to make a tune or some sort of form out of them. It is great to keep an archive of the stuff you record, because listening to the material the next day with a fresh set of years might bring up parts and ideas you might have missed. Try to do this on a regular basis, after all, most of the work of learning the craft is based on repetition…