Author: Gianni C.

Check List for the forgetful Guitarist

I usually play 150+ gigs a year in different styles, in different settings, sometimes playing ‘dep’ gigs, where you might not know what you’ll be doing until the last minute, it is easy to forget stuff at home (I have done so twice last week…).

I have created this check-list to make sure this does not happen again, and I decided to share it with you. As you go through the list, get the stuff you need and put it in a big pile by the door.

So, What do you need to bring to tonight’s gig…?

GEAR:

What GUITARS will you play Electric, Acoustic, Hollow Body? Will you need more than one guitar? Go through the set-list in you head.

Do you need PEDALS/PEDAL-BOARD?

Do you have enough GUITAR PICKS?

Do you have all the CABLES you need, plus spares?

Do you have a bag with REPLACEMENT STRINGS, GUITAR CABLES, ACCESSORIES (BATTERIES, CLEANING STUFF, SLIDES…), AND MAINS POWER EXTENSIONS/MULTIPLE PLUGS?

Did you pack a TUNER?

AMPLIFIER(S), or Head+Cab, Plus all Cables?

Will you SING at tonight’s gig? MICROPHONES+MIC STAND +XLR CABLES+LYRICS!

Will you need to MIC UP YOUR AMP/ACOUSTIC GUITAR? (EXTRA MIC+MIC STAND+XLR CABLES)

Will you need EARPLUGS? More than one set?

Will I need a MONITOR or any part of a P.A.?

MUSIC:

Do you have a PRINTED SET-LIST with all the TUNES IN THE RIGHT KEYS?

Do you need to read music/Lyrics? (MUSIC STAND WITH LIGHT, CHARTS)

Did you take the music (CHARTS/ AUDIO TRACKS) with you?

OTHER:

Do you have clear DIRECTIONS TO THE VENUE, address+contact number, and a CONTACT NUMBER for some of the band members?

Do you have COINS TO PAY FOR PARKING?

Is FOOD provided, or do you need to bring it with you? (you’ll be surprised how sometimes you might be playing in the middle of nowhere…)

Do you have the right clothing? Do yo need to bring formal CLOTHES+SHOES!!

Do you need any paperwork/Documents (INVOICE/CONTRACT/INSURANCE/EMAIL PRINTOUT)?

You can download this in a printable poster to print out, as it might be a good idea to hang it up in the room where you keep all the equipment.

>DOWNLOAD PRINTABLE CHECK-LIST<

I hope this helped! Feel free to add more in the comment section below if you feel I have missed something.

Bebop Guitar: Practice the most famous Charlie Parker’s Tunes

I bumped on this fantastic video by an exceptionally skilled fellow guitar player who stringed together some of the most famous Charlie Parker’s heads to create a montage for (I guess) practice purpose.

I though this was a great idea and you can find it right below.

I will definitely use this video for my practice routine and to keep these tunes up to scratch…this sort of approach kills two birds with one stone, as you add material to your repertoire, and clean up your technique. Thank you to ‘kevinthebeagle’  for posting this video on his channel.

You can find most of these melodies in the following books, which I own and highly recommend:

Charlie Parker Omnibook: For C Instruments (Treble Clef)

 

Charlie Parker for Guitar: Note-For-Note Transcriptions and Detailed Performance Notes for 18 Bebop Classics

How to setup your electric guitar

Yesterday during a gig I dropped my beloved Fender Stratocaster ‘head on’, and I could tell right away that the neck had moved and the whole setup had gone out of the window. Rather than taking the guitar to be setup I did a bit of research online and decided to give it a go myself. I had done this before, but never did the whole process from start to finish. I must say the following video shows every step in such detail, you cannot get it wrong!

Thanks to Pbsguitar for porting this great video. My Strat is back in great shape.

Recording acoustic guitars

Just recording some acoustic guitars from my home studio for a friend’s project. Really pleasantly surprised by using a sm57 pointed towards the body to get a bit more ‘bottom’…I had never used a dynamic mic to record acoustics before, and it seems to add  quite a bit of ‘weight’ to the sound, so I think I will do this again. These are featured guitars, in a solo piece…it might not work for ‘strumming’ where you just want the presence and the top end to add some sparkle to the track…I guess it’s all about experimenting and judging on a  song-by-song basis. For this particular project I have combined the DI sound with 2 mics, one AKG condenser mic and the usual SM57.