Category: A day in the life of a musician

Tinnitus Awareness for Musicians and Producers

What is Tinnitus?

Tinnitus is the perception of ringing, buzzing, or hissing sounds in the ears without an external source. It can be temporary or permanent and is often caused by prolonged exposure to loud sounds, ear infections, or other underlying health conditions. For musicians and producers, it’s a serious concern due to constant exposure to loud environments—gigs, rehearsals, studio sessions, and teaching.

My Experience with Tinnitus

I’ve been playing for 43 years, mostly professionally, performing hundreds of gigs per year and spending countless hours teaching. That means years of exposure to loud volumes—standing near drummers, guitar amps, and playing in loud clubs. As a producer, I’ve also dealt with sharp, spiky sounds that can contribute to hearing damage.

How to Protect Your Hearing

  1. Invest in quality ear protection:
    • I use molded earplugs (ACS -17dB filters). They are the best I’ve found, and I always keep them with me.
    • In the UK, if you’re a Musicians’ Union member or get support from Help Musicians, you can get them for around £30-40.
    • Never feel ashamed to wear earplugs—your hearing is your career.
  2. Upgrade your in-ear monitor (IEM) system:
    • If you use Shure IEMs, consider the SE535s since they have less emphasis around the dangerous 3kHz area.
    • Use a system with a built-in limiter to prevent unexpected spikes.
    • When I teach, I use Voicemeeter with headphones, which helps control volume levels.
    • Keep your tinnitus as reference and try to keep the volume below that-
    • Most IEM packs and monitoring apps have limiter functions—use them.
    • EQ out harsh frequencies that typically cause damage (for me, around 3kHz and 800Hz).
  3. Separate work from enjoyment:
    • We love music, but as professionals, we need to balance it with ear health.
    • Work in short sessions with breaks. Give your ears time to recover.
    • Daily rest: at least one hour of silence per day.
    • If your ears feel fatigued, wear earplugs for a bit to reduce strain.
    • Keep your airways clear—this helps balance pressure.
    • Some people find that chiropractic adjustments help; I haven’t tried it recently but worth mentioning.
  4. Frequency Considerations:
    • Protect frequencies needed for speech intelligibility (can you find male/female speech frequency ranges?).
    • Be mindful of EQ settings to avoid damaging essential frequencies.
  5. Healthy Habits for Tinnitus Management:
    • Diet: A healthy diet can help overall well-being, which affects tinnitus.
    • Physical activity: Staying active and positive helps keep your mind off tinnitus.
    • Socializing: One of the most effective distractions is engaging with people. Don’t isolate yourself.
  6. Useful Apps:
    • OTO: Helps with sound masking and tinnitus training (teaches you to ignore it).
    • dB Meter: Monitors your sound exposure—aim to keep levels around 60dB.
    • Meditation Apps: Help with relaxation and stress management.
    • White Noise Generators: Useful for masking tinnitus.
  7. Best Practices for Monitoring and Production:
    • Use speakers instead of headphones when possible.
    • If you must use headphones, keep volumes moderate.
    • Get regular hearing tests—a doctor can check for any underlying issues like pressure imbalances or a deviated septum.

Mindset and Career Approach

  • Tinnitus doesn’t mean the end of music—it’s about managing it carefully.
  • Be mindful of how you work and take necessary precautions.
  • Avoid grind culture. Yes, we need to earn money, but overworking leads to burnout and hearing damage.
  • Be financially wise: invest, save a buffer, so you can say no to gigs when you need rest.
  • Balance work and enjoyment—music can be a 24/7 thing, but your ears need rest.

By being proactive and mindful, you can continue enjoying music and playing for a long time while protecting your hearing. Stay safe and take care of your ears!

So you want to play guitar on a cruise ship? Some hints and tips.

A lot of colleagues always ask me how to get work on cruise ships as a musician, entertainer or as part of a band so I thought of putting an article together to explain how life on ships works, what to expect and how to get some work.
These are some of the biggest cruise companies, if you want to see what kind of entertainment they offer, and what routes they do, I think the best thing to do is visit their pages:

www.princesscruises.com
www.rccl.com
www.crystalcruises.com
www.carnivalcruises.com
www.pandocruises.com
www.disneycruises.com

These are some of the categories you will be filling as a musician/performer:

Show band Musician (You play in the Theatre Orchestra)
Cocktail Pianist/Piano Bar type act
Jazz Trios
Hi-Tech Duos (…a fancy way of saying: you play with backing tracks)
Party Band/Lounge Band
Island Caribbean Bands
Strolling Musicians
Classical duos/trios
Main Act (you have your own show)

If you are a musician, the two options are looking for work as a group or as a single entity to be included in the orchestra. If you have your own show you can try and pitch it to some of the agents that deal with main headliner entertainers. Of course there are agencies that have bigger contacts than others…

Some of the smaller European companies like Costa, MSC, Festival, do not have a theatre orchestra so the self contained group is the only option. The type of entertainment you’ll be providing ranges from cover ‘top 40’ type stuff to more traditional waltzes and swing numbers.

Companies with different size orchestras are Princess Cruises, P&O, Royal Caribbean, Crystal cruises, Carnival Cruises ranging from 9 piece bands (5 horns + 4 rhythm section) to only rhythm section bands with maybe a synth or two. Your job will be to back up the entertainer of the week and play “production style” shows. Sometimes you’ll play the occasional jazz set and big band set which can be quite fun. Needless to say the main skill is the ability to sight read at a professional level and follow the lead of the musical director. Also you’ll need quite a bit of sense of humor, as some of the shows can be quite boring sometimes, but if you are lucky you’ll experience some great shows.

Some companies use their in-house agents (Royal Caribbean is one of those), but it is not rare to have companies that deal with external agencies to find musicians, agencies like Proship and similar. Do some research, and remember that an external agency will take a generous cut of what you make, usually 12-15%, for as long as they find you a contract. The easiest thing to do is to contact the cruise company and find out if you can be employed directly by them.  Also, if you start using an agent you might be tied to them even if you find another ship gig for yourself for 6 months after the end of the contract.

Best way to get started is by recommendation. If you already know someone who works for a company ask them to put in a good word for you. This way you’ll stand a much better chance of getting the gig.

“Boat drill’,” import manning”: Google these two words and you’ll see what’s waiting around the corner for you…You’ll have to put up with some discipline and hierarchy politics, as passenger safety and order must be maintained. Make sure you find out what kind of clothing/uniforms you need for the gig. Most musicians have to wear a Tuxedo for formal night shows and some type of uniform for other shows…mostly you’ll wear ‘blacks’ meaning black shoes, black pants, black socks, black shirt…basically a nautical version of Dracula! Also it’s worth finding out if you need to wear uniforms while you are around the ship, sometimes this can get a bit tedious…it will feel like it’s a 9-5 job.

In terms of documentation all you need is a valid passport and a C1&D visa. Also a fluent use of the English language is advisable, mostly for safety on board.

The good news is that you’ll be able to visit some incredible places. In about three years I have been from Hawaii to Russia, sailing all over the Mediterranean and all around Mexico and the Caribbean…best of all, I got paid for it!

Good Luck!

Posture, Warm ups, Stretching and Health for the Working Guitarist.

As a working guitarist, sooner or later you will be confronted by tension in your upper body and shoulders. I always try to teach to all my students how to avoid tension and explain how warming up before a session/gig and sitting/standing correctly can make a huge difference in how you will feel at the end of it.

We always forget how playing an instrument, lifting gear, or sitting all day to practice or teach can be a physically demanding task, and I don’t know any athlete that does not warm up before a performance, so why shouldn’t we?

The following is a great video that explains how things work in the upper body:

This is a great set of warm ups and massages by guitar master J. Petrucci:

If tension should arise, a great way to release is explained in this video:

I hope this was helpful, feel free to add a comment below if you find more useful videos!

Check List for the forgetful Guitarist

I usually play 150+ gigs a year in different styles, in different settings, sometimes playing ‘dep’ gigs, where you might not know what you’ll be doing until the last minute, it is easy to forget stuff at home (I have done so twice last week…).

I have created this check-list to make sure this does not happen again, and I decided to share it with you. As you go through the list, get the stuff you need and put it in a big pile by the door.

So, What do you need to bring to tonight’s gig…?

GEAR:

What GUITARS will you play Electric, Acoustic, Hollow Body? Will you need more than one guitar? Go through the set-list in you head.

Do you need PEDALS/PEDAL-BOARD?

Do you have enough GUITAR PICKS?

Do you have all the CABLES you need, plus spares?

Do you have a bag with REPLACEMENT STRINGS, GUITAR CABLES, ACCESSORIES (BATTERIES, CLEANING STUFF, SLIDES…), AND MAINS POWER EXTENSIONS/MULTIPLE PLUGS?

Did you pack a TUNER?

AMPLIFIER(S), or Head+Cab, Plus all Cables?

Will you SING at tonight’s gig? MICROPHONES+MIC STAND +XLR CABLES+LYRICS!

Will you need to MIC UP YOUR AMP/ACOUSTIC GUITAR? (EXTRA MIC+MIC STAND+XLR CABLES)

Will you need EARPLUGS? More than one set?

Will I need a MONITOR or any part of a P.A.?

MUSIC:

Do you have a PRINTED SET-LIST with all the TUNES IN THE RIGHT KEYS?

Do you need to read music/Lyrics? (MUSIC STAND WITH LIGHT, CHARTS)

Did you take the music (CHARTS/ AUDIO TRACKS) with you?

OTHER:

Do you have clear DIRECTIONS TO THE VENUE, address+contact number, and a CONTACT NUMBER for some of the band members?

Do you have COINS TO PAY FOR PARKING?

Is FOOD provided, or do you need to bring it with you? (you’ll be surprised how sometimes you might be playing in the middle of nowhere…)

Do you have the right clothing? Do yo need to bring formal CLOTHES+SHOES!!

Do you need any paperwork/Documents (INVOICE/CONTRACT/INSURANCE/EMAIL PRINTOUT)?

You can download this in a printable poster to print out, as it might be a good idea to hang it up in the room where you keep all the equipment.

>DOWNLOAD PRINTABLE CHECK-LIST<

I hope this helped! Feel free to add more in the comment section below if you feel I have missed something.

A list of the most popular jazz standards

This post if for the jazz guys, and possibly those that want to venture into jazz territory. I talked about repertoire yesterday, and today I was asked by a friend to put together a list of the most popular jazz standards that might be called at a jam session…this is what I came up with, and I thought of sharing it with you. Comes without saying that this list is by all means incomplete and dictated by my experience with jazz jams.  Feel free to add your suggestion in the comments section!

A Nightingale Sang In Berkeley Sqare

Agua De Beber

Ain’t Misbehavin’

All Blues

All of Me

All of You

All Or Nothing At All

All the Things You Are

Alone Together

Angel Eyes

Autumn Leaves

Beautiful Love

Billie’s Bounce

Blue Bossa

Blue Monk

Blue Moon

Body and Soul

But Not For Me

Bye Bye Blackbird

C Jam Blues

Caravan

Chelsea Bridge

Cherokee

Come Rain Or Come Shine

Cry Me a River

Darn That Dream

Days of Wine and Roses

Desafinado

Do Nothin’ Till You Hear From Me

Don’t Get Around Much Anymore

Donna Lee

Doxy

Easy to Love

Embraceable You

Estate

Everything Happens to Me

Everytime We Say Goodbye

Fly Me To The Moon

Foggy Day

Four

Gee Baby Ain’t I Good to You

Gentle Rain

Georgia On My Mind

Giant Steps

Girl From Ipanema

God Bless the Child

Good Bait

Green Dolphin Street

Have You Met Miss Jones

Here’s That Rainy Day

How Deep is the Ocean

How High the Moon

How Insensitive

How Long Has This Been Going On

I Can’t Get Started

I Could Write a Book

I Didn’t Know What Time It Was

I Get a Kick Out of You

I Got Rhythm/Rhythm Changes

I Hear a Rhapsody

I Loves You Porgy

I Remember You

I Should Care

I Thought About You

I’ll Remember April

I’ve Got You Under My Skin

If I Should Lose You

If I Were a Bell

Impressions

In A Sentimental Mood

Invitation

Isn’t It Romantic

It Ain’t Necessarily So

It Could Happen to You

It Don’t Mean A Thing

It Had to Be You

Jitterbug Waltz

Joy Spring

Just Friends

Just One of Those Things

Killer Joe

Lady Is A Tramp

Laura

Lazy bird

Like Someone In Love

Love For Sale

Lover Man

Lullaby Of Birdland

Lush Life

Mack the Knife

Maiden Voyage

Mercy, Mercy, Mercy

Misty

Moanin’

Mr. P.C.

My Favorite Things

My Foolish Heart

My Funny Valentine

My Little Suede Shoes

My One and Only Love

My Romance

Nardis

Nature Boy

Night and Day

Night In Tunisia

Now’s The Time

Old Devil Moon

Old Folks

Oleo

On A Slow Boat To China

On The Sunny Side Of The Street

One Note Samba

Over The Rainbow

Polka Dots and Moonbeams

Prelude To A Kiss

Quiet Nights of Quiet Stars (Corcovado)

Round Midnight

Satin Doll

Scrapple From The Apple

Smile

Smoke Gets In Your Eyes

So What

Softly as In A Morning Sunrise

Solar

Someday My Prince Will Come

Someone To Watch Over Me

Somewhere Over the Rainbow

Song For My Father

Sonnymoon For Two

Speak Low

St. Thomas

Stella By Starlight

Stormy Weather

Straight No Chaser

Sugar

Summertime

Sunny

Sweet Georgia Brown

Take Five

Take the “A” Train

Tea For Two

The Man I Love

The Nearness of You

The Night Has 1000 Eyes

The Shadow Of Your Smile

The Very Thought of You

The Way You Look Tonight

There is No Greater Love

There Will Never Be Another You

They Can’t Take That Away From Me

Things Ain’t What They Used to Be

This Masquerade

Time After Time

Tune Up

Watermelon Man

Wave

Well You Needn’t

What is This Thing Called Love

When I Fall In Love

When Sunny Gets Blue

Work Song

Yesterdays

You and the Night and the Music

You Don’t Know What Love Is

You’d Be So Nice To Come Home To